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Works On PaperThe Thing Is
  • The Thing Is, Suite 1 #3, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 1 #1, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 1 #6, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 1 #4, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 2 #3, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 2 #5, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 2 #6, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 2 #4, 40" X 32", Charcoal, pencil, pastel & acrylic, 2012
  • The Thing Is, Suite 3 #2, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 3 #3, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 3 #5, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 3 #1, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 4 #1, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 4 #5, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 5 #3, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 5 #2, 40" X 32", Charcoal, pencil, pastel & acrylic, 2013
  • The Thing Is, Suite 6 #1, 40" X 32", Charcoal, pencil, pastel & acrylic, 2015
  • The Thing Is, Suite 6 #2, 40" X 32", Charcoal, pencil, pastel & acrylic, 2015
  • The Thing Is, Suite 6 #3, 40" X 32", Charcoal, pencil, pastel & acrylic, 2015
  • The Thing Is in the studio

Artist Statement - The Thing Is

Drawing Suites

In the ongoing series entitled The Thing Is I have limited my scope to depicting single, vessel-like objects. They derive from the idea of what constitutes a container, a familiar and universal entity in its capacity to hold something - having sides, a base, and an opening for receiving and delivering content. My invented receptacles allude, at least in part, to such qualities that a vessel summons up.

Through an accretive process of shaping the form with successive layers of charcoal, a density of surface evolves creating an impression of material solidity. Together with other features, such as the addition of a lid or void-space at the object’s top, reference to a base plane, curved volumetric contours and reflecting surfaces, I mean to convey the dimensional presence of a "real" thing.

At the same time, the soft-edged, amorphous, and seemingly immaterial effects that the medium of charcoal allows, makes possible a transformative, contingent, and more ambiguous object, one that cannot be pinned down with certainty. My "containers", because of this approach, remain persistently imaginary, the thing is what it is – open, indeterminate and elusive.

- Paula Elliott, 2013